Namiko Kunimoto is a specialist in modern and contemporary Japanese art, with research interests in gender, race, urbanization, photography, visual culture, performance art, transnationalism, and nation formation.
Her essays include “Olympic Dissent: Art, Politics, and the Tokyo Games” in Asia Pacific Japan Focus, “Tactics and Strategies: Chen Qiulin and the Production of Space” forthcoming in Art Journal and “Shiraga Kazuo: The Buddhist Hero” published in Shiraga/Motonaga: Between Action and the Unknown. Dr. Kunimoto’s awards include a Social Sciences and Humanities Research Council of Canada Fellowship, Japan Foundation Fellowships (2007 and 2016), a College Art Association Millard/Meiss Author Award, and the OSU Alumni Award for Distinguished Teaching (2018). She has been a panelist for the National Endowment for the Arts and is an executive member of Japan Arts and Globalization and Vice-President of the Japanese Art History Forum. Her book, The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art, was published in February 2017 by the University of Minnesota Press.